Lucio Fontana (1899-1968) , Concetto spaziale. RMN-GP, Réf. Il, n o 56.P.3), préparé par un dessin au stylo-bille, installe l'une de ces formes tel un vaisseau spatial utopique sur un fond gris-bleu suggérant un ciel. Quant aux fragments de verre coloré, ils sont placés aux points de croisement des lignes de trous qui, en occupant la périphérie du tableau, semblent quadriller l'espace à la manière d'une carte céleste. (Concept spatial), Musée - Niveau 5 - Salle 36 : Lucio Fontana / Groupe 0 / Alberto Burri, Crédit photographique : © Jacqueline Hyde - Centre Pompidou, MNAM-CCI /Dist. photo Sothebys Executed in 1968. Pour les premières rayures, il découle de leur disposition comme un effet de propagation. rais. “Concetto spaziale,” by Lucio Fontana Boetti, a key figure of Arte Povera, “looked at mathematics, games and puzzles in the way Bochner was looking at words,” Vincente explains. En ce qui concerne la septième rayure, la cassure effectuée au trois quart de la toile rappelle le phénomène de réfraction (bifurcation d’un rayon arrivant sur un prisme ayant un indice de refraction différent de celui de l’air ou, ici, de l’univers dans lequel évolue le rayon : voir schéma). Access more artwork lots and estimated & realized auction prices on MutualArt. Concetto spaziale - 4 études. It comes from the abstract artist Lucio Fontana. His work, made with a variety of materials, including stamps, textiles and ballpoint pens, reflects Boetti’s fascination with alternative modes of art production, she says. Concetto Spaziale reminds us of an ancient stele or even of a celestial chart. Ceramica spaziale (49-SC.6) (Céramique spatiale) 1949. From the earliest works in the series, he wrote the word 'Attesa', meaning 'expectation' or 'hope', on the back of all the canvases with one cut, and 'Attese' (plural) on all those with multiple cuts. Etude pour le mur spatial de la chambre de commerce de Milan. It’s also a concept vividly present to visitors here these days, as Magazzino uses technology to enforce social distancing in the age of Covid-19: Museumgoers must wear lanyards attached to buzzers that vibrate if they come within six feet of … Réalisé en 1966. signed and titled 'l. Dans cette oeuvre, Fontana cherche à explorer l’espace / l’univers. 3777/1.. Full Cataloguing. May 2, 2020 - View Concetto Spaziale - Teatrino (nero) (1968) By Lucio Fontana; cardboard; 70x 70 cm; Signed; Edition. # par Warhol Self-Portrait Sells For $17.4 Million At Auction. Lucio Fontana (1899 - 1968), Concetto Spaziale, Attese. Fontana added the subtitle “Attese”, meaning Expectation or Hope, to many of his tagli. Estimate £50,000 - … Over 100,000 English translations of Italian words and phrases. Fontana démontre ainsi que cet espace, avant d’être mathématique, est surtout physique. This egg-like shape would soon after the creation of this present work become the defining motif of Fontana’s seminal series La Fine … Fontana "Concetto Spaziale"' (on the reverse) oil on canvas and lacquered wood 24 … Le nom des œuvres sont écrits en italien comme "Concetto spaziale, Attesa" qui veut dire "Concept spatial, Attente". Tantôt polygonales, tantôt arrondies, ces formes énigmatiques semblent flotter dans l'espace, comme les formes lumineuses conçues par Fontana pour les plafonds, dont il reçoit commande pour la Triennale ou la Foire de Milan. Le Concetto Spaziale 56-P.3 (cat. 1951. 56 P 3 reprod. Fontana added the subtitle “Attese”, meaning Expectation or Hope, to many of his tagli. Lucio Fontana, né le 19 février 1899 à Rosario, province de Santa Fe, Argentine et mort le 7 septembre 1968 à Comabbio, près de Varèse en Italie, est un peintre et sculpteur argentin, fondateur du mouvement spatialiste associé à l'art informel.. Ce sont les rayons qui se diffusent dans l’univers que représente sur la toile cet espace noir. ‘Concetto spaziale, Attese’ (1965) is a seminal work from Lucio Fontana’s most renowned and celebrated body of work, his instantly recognizable Tagli (Cuts) produced over the course of a decade between 1958 and 1968. The basis of the Concetto Spaziale works was the piercing, or later slashing with a razor, of the canvas to create an actual dimension of space. Its meaning though is difficult to decipher, it is a still unknown constellation. The paintings, usually all in one color, featured holes and slashes punched or cut into the canvas. Fontana le faisait car, pour lui, c’est un chemin vers la connaissance. Neither painting nor sculpture, simultaneously a three-dimensional object and an immaterial, transcendent portal that invokes the fourth dimension and the boundless, unknowable depths of the universe, Concetto spaziale, La Fine di Dio is, like the rest of the series, a holistic object which, with its archetypal, regenerative and mystical ovoid or egg shaped form, also serves to embody the … ART ABSTRAIT. Fontana made a long series of these and extended the idea into sculpture in his Concetto Spaziale, Natura series. Measurement — with the deeper meaning of how we assess the world around us — is a theme that crops up again and again in the art on view. Cologne. Yet, the painting is considered one of the most … (1899, Argentine - 1968, Italie), Concetto spaziale (56-P.3) He would place black gauze behind the canvas, giving the slashes and holes a sense of depth and dimension, a quality foreign to a medium that is typically, by … The meaning lies in associating the colour lying on the canvas (before) with the acute, ingenious and subtle vision of the cut (after), … Expectations. Fontana’s cuts pierced the surface, opening up a new space behind the canvas, which was both a real space, liberated by the cut, … Concetto Spaziale. Concetto spaziale 1951 - 1952. Christie's got $3.2 million for Fontana's red "Spatial Concept, Expectations" from 1967. Ogni tessuto, attraverso la sua matericità vuole esprime un differente concetto spaziale. (Céramique spatiale), Etude pour le mur spatial de la chambre de commerce de Milan, La collection du Musée national d’art moderne, © Fondation Lucio Fontana, Milano / by SIAE / Adagp, Paris, Crispolti (Enrico), Marck (Jan van der).- Lucio Fontana : catalogue raisonné des peintures, sculptures et environnements spatiaux (Archivio Lucio Fontana, Milan).- Bruxelles : La Connaissance, 1974 1961. Les granulations de la toile même si elles sont noires pourraient correspondre aux constellations du ciel. A U.S. Pour les premières rayures, il découle de leur disposition comme un effet de propagation. This enigmatic quality underlines its charm and preciousness. Executed in 1952, Concetto spaziale is an important early example of Lucio Fontana's trailblazing Buchi or 'Holes,' so named because of the innovative punctures with which he had forced the viewer to become aware of the three-dimensionality … Lucio Fontana (1899 – 1968), Concetto Spaziale , 1967 , 59.1 x 51.1 cm. Source :Collection art moderne - La collection du Centre Pompidou, Musée national d’art moderne , sous la direction de Brigitte Leal, Paris, Centre Pompidou, 2007, Concetto spaziale, Attese (T.104) In 1966 Fontana presented an entire room of white Concetto spaziale, La fine di Dio (63-FD.17) (Concept spatial, La fin … [1963] Lucio Fontana. This Concetto Spaziale is at once gestural and astral, organic and futuristic, primal and revolutionary; just as man entered space, so Fontana transcended the canvas, and brought outer space itself into art. How many times have we wondered, looking at one of these Concetto Spaziale works, what Fontana's expectations of the effect of that same cut, or rhythm of cuts, would have on a different colour? 10 mai 2017 - Lucio Fontana, “Concetto Spaziale,” bracelet, signed, gold, executed in 1961-62. Concetto Spaziale, Attese is one of a series of works Fontana made in Milan between 1958 and 1968 that are collectively known as Tagli (‘cuts’). Executed in 1962-64, this work is registered with the Fondazione Lucio Fontana under the archive no. This painting with five cuts is a manifest the artist’s signature “Spatialism”. This blog is a cut into the fabric of my life, to destroy the boundaries of written word or confined expression and to open up the space beyond. Furthermore, the holes cohere into an ovoid form, or perhaps even a halo. Lucio Fontana. Fontana's Concetto spaziale realized £2.7 million ($4.4 million), selling within estimate, while Concetto spaziale, Attesa fetched £2.3 million ($3.6 million) against a pre-sale high estimate of £1.5 million. Spatial Concept. 1957. (ref. Le geste de Fontana est net et sans agressivité, il est continu et d’intensité égale pendant la durée de l’opération. Deux études de plafond spatial. 1899-1968. On peut aisément comparer cette ouverture à une sorte de naissance, ici par césarienne. Dans cette oeuvre, Fontana cherche à explorer l’espace / l’univers. This work titled “Concetto spaziale, Attese” (meaning “Spatial Concept, Waiting”) was created by Italian artist Lucio Fontana, the founder of an art movement called “Spatialism”. Couleurs et verres colorés ont, pour les «Concetti spaziali», une double signification. Les rayures de cette oeuvre représentent des rayons solaires de part leur couleur dorée et de part leur disposition sur la toile. With this label, Fontana draws attention to the ongoing possibilities that lie in the unknown future, as well as man's perception of time as a psychological experience as much as a physical one. Le Concetto Spaziale 56-P.3 (cat. He made cuts in his paintings to bear witness to the potential limitlessness of the surface by opening up the space beyond. Lucio Fontana. Aller au contenu | Aller au menu | Aller à la recherche. Concetto spaziale (Spatial Concept) ... For works with only one cut, the subtitle was attesa, the Italian word meaning expectation or anticipation. Lucio Fontana. Musée Ludwig. Lucio Fontana. Concetto spaziale. Definition, Synonyms, Translations of concetto by The Free Dictionary Beginning in 1948 and continuing until his death in 1968, Fontana produced a series of paintings he described as “concetto spaziale” (spatial concept). La couleur des rayures fait ressortir la nature éclatante du soleil et de ses rayons. By adding this word to his standard title of Concetto Spaziale, Fontana imbues the boundless infinity he envisaged beyond the thin, elegant chasms of darkness created by his lacerations in the canvas with a sense of buoyancy and freedom. Concetto Spaziale – Attesa. See the renowned permanent collection and special exhibitions. Represents the collection of geometric properties of the elevation TIN spatial object. 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